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		<id>https://www.ddr-tanzmusik.de/index.php?action=history&amp;feed=atom&amp;title=Bergols</id>
		<title>Bergols - Versionsgeschichte</title>
		<link rel="self" type="application/atom+xml" href="https://www.ddr-tanzmusik.de/index.php?action=history&amp;feed=atom&amp;title=Bergols"/>
		<link rel="alternate" type="text/html" href="https://www.ddr-tanzmusik.de/index.php?title=Bergols&amp;action=history"/>
		<updated>2026-05-13T10:47:52Z</updated>
		<subtitle>Versionsgeschichte dieser Seite in DDR-Tanzmusik</subtitle>
		<generator>MediaWiki 1.30.1</generator>

	<entry>
		<id>https://www.ddr-tanzmusik.de/index.php?title=Bergols&amp;diff=19061&amp;oldid=prev</id>
		<title>Inohammer: /* Titelliste */</title>
		<link rel="alternate" type="text/html" href="https://www.ddr-tanzmusik.de/index.php?title=Bergols&amp;diff=19061&amp;oldid=prev"/>
				<updated>2025-06-07T08:30:03Z</updated>
		
		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Titelliste&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr style=&quot;vertical-align: top;&quot; lang=&quot;de&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Nächstältere Version&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Version vom 7. Juni 2025, 08:30 Uhr&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l27&quot; &gt;Zeile 27:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 27:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| In Monte Carlo, da sind die Nächte so gefährlich (2) || Bergols &amp;amp;amp; Ping-Pongs ||&amp;#160; ||&amp;#160; || Alberto Begonha (?) || Hans Bradtke (?)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| In Monte Carlo, da sind die Nächte so gefährlich (2) || Bergols &amp;amp;amp; Ping-Pongs ||&amp;#160; ||&amp;#160; || Alberto Begonha (?) || Hans Bradtke (?)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| Jim Cowler-Melodien || Margot Friedländer &amp;amp;amp; Klaus Gross || 1956 || 5 50 032 || mehrere || mehrere&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Jonny Lehmann war ein Seemann || Werner Hass || 1958 || 1 50 664 || Horst Reipsch || Rudolf-Günter Loose&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Jonny Lehmann war ein Seemann || Werner Hass || 1958 || 1 50 664 || Horst Reipsch || Rudolf-Günter Loose&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l50&quot; &gt;Zeile 50:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 52:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Steck ´nen Groschen in die Musikbox (2) || Werner Hass || 1958 || 1 50 154 || Günter Oppenheimer || Günter Oppenheimer&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Steck ´nen Groschen in die Musikbox (2) || Werner Hass || 1958 || 1 50 154 || Günter Oppenheimer || Günter Oppenheimer&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Steuermann, halte Kurs || Fred Frohberg || 1957 || &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;8 55 657 &lt;/del&gt;|| Walter Eichenberg || Willy Schüller&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Steuermann, halte Kurs || Fred Frohberg || 1957 || &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1 50 148 &lt;/ins&gt;|| Walter Eichenberg || Willy Schüller&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Tarragona || Ralf Paulsen || 1957 || 1 50 624 || Gerhard Anders || Arnold Bormann&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Tarragona || Ralf Paulsen || 1957 || 1 50 624 || Gerhard Anders || Arnold Bormann&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l67&quot; &gt;Zeile 67:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 69:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Unter tausend schönen Stunden || Peter Wieland || 1958 ||&amp;#160; ||&amp;#160; || &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Unter tausend schönen Stunden || Peter Wieland || 1958 ||&amp;#160; ||&amp;#160; || &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|-&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;| Verliebte Rhythmen || U. v. Medvey, S.Siewert, K.Gross, P.Schröder || 1957 || 5 50 032 || mehrere || mehrere&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Walzer der Freude || Bergols &amp;amp;amp; Ping-Pongs &amp;amp;amp; Hemmann-Quintett || 1958 || 5 40 032 || Theo Mackeben || Günther Schwenn&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Walzer der Freude || Bergols &amp;amp;amp; Ping-Pongs &amp;amp;amp; Hemmann-Quintett || 1958 || 5 40 032 || Theo Mackeben || Günther Schwenn&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l76&quot; &gt;Zeile 76:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 80:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Wenn deine Lippen schweigen || Bergols || 1957 || 1 50 626 || Klaus Hugo || Richter&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Wenn deine Lippen schweigen || Bergols || 1957 || 1 50 626 || Klaus Hugo || Richter&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Inohammer</name></author>	</entry>

	<entry>
		<id>https://www.ddr-tanzmusik.de/index.php?title=Bergols&amp;diff=17945&amp;oldid=prev</id>
		<title>Inohammer: /* Titelliste */</title>
		<link rel="alternate" type="text/html" href="https://www.ddr-tanzmusik.de/index.php?title=Bergols&amp;diff=17945&amp;oldid=prev"/>
				<updated>2024-11-24T13:00:38Z</updated>
		
		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Titelliste&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr style=&quot;vertical-align: top;&quot; lang=&quot;de&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Nächstältere Version&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Version vom 24. November 2024, 13:00 Uhr&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l48&quot; &gt;Zeile 48:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 48:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| So kann man sich verlieben || Peter Wieland || 1958 ||&amp;#160; ||&amp;#160; || &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| So kann man sich verlieben || Peter Wieland || 1958 ||&amp;#160; ||&amp;#160; || &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Steck ´nen Groschen in die Musikbox (2) || Werner Hass || &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;1959 &lt;/del&gt;|| 1 50 154 || Günter Oppenheimer || Günter Oppenheimer&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Steck ´nen Groschen in die Musikbox (2) || Werner Hass || &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1958 &lt;/ins&gt;|| 1 50 154 || Günter Oppenheimer || Günter Oppenheimer&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Steuermann, halte Kurs || Fred Frohberg || 1957 || 8 55 657 || Walter Eichenberg || Willy Schüller&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Steuermann, halte Kurs || Fred Frohberg || 1957 || 8 55 657 || Walter Eichenberg || Willy Schüller&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Inohammer</name></author>	</entry>

	<entry>
		<id>https://www.ddr-tanzmusik.de/index.php?title=Bergols&amp;diff=17486&amp;oldid=prev</id>
		<title>Inohammer: /* Titelliste */</title>
		<link rel="alternate" type="text/html" href="https://www.ddr-tanzmusik.de/index.php?title=Bergols&amp;diff=17486&amp;oldid=prev"/>
				<updated>2024-06-17T13:01:40Z</updated>
		
		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Titelliste&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr style=&quot;vertical-align: top;&quot; lang=&quot;de&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Nächstältere Version&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Version vom 17. Juni 2024, 13:01 Uhr&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l28&quot; &gt;Zeile 28:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 28:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| In Monte Carlo, da sind die Nächte so gefährlich (2) || Bergols &amp;amp;amp; Ping-Pongs ||&amp;#160; ||&amp;#160; || Alberto Begonha (?) || Hans Bradtke (?)&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| In Monte Carlo, da sind die Nächte so gefährlich (2) || Bergols &amp;amp;amp; Ping-Pongs ||&amp;#160; ||&amp;#160; || Alberto Begonha (?) || Hans Bradtke (?)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Jonny Lehmann war ein Seemann || Werner Hass || &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;1954 &lt;/del&gt;|| 1 50 664 || Horst Reipsch || Rudolf-Günter Loose&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Jonny Lehmann war ein Seemann || Werner Hass || &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1958 &lt;/ins&gt;|| 1 50 664 || Horst Reipsch || Rudolf-Günter Loose&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|-&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Junge Leute brauchen Liebe || Helga Brauer || 1958 || 1 50 700 || Robert Allen/Richard Adler || dt.: Carl Niessen&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;| Junge Leute brauchen Liebe || Helga Brauer || 1958 || 1 50 700 || Robert Allen/Richard Adler || dt.: Carl Niessen&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Inohammer</name></author>	</entry>

	<entry>
		<id>https://www.ddr-tanzmusik.de/index.php?title=Bergols&amp;diff=15699&amp;oldid=prev</id>
		<title>Inohammer: /* Titelliste */</title>
		<link rel="alternate" type="text/html" href="https://www.ddr-tanzmusik.de/index.php?title=Bergols&amp;diff=15699&amp;oldid=prev"/>
				<updated>2023-01-15T12:31:22Z</updated>
		
		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Titelliste&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Neue Seite&lt;/b&gt;&lt;/p&gt;&lt;div&gt;[[Datei:Bergols2.jpg|thumb|M &amp;amp; R 08/58]]&lt;br /&gt;
Bereits 1953 bildeten die Berliner Bernd Golonsky, Gerhard Kneifel und Hans-Heinrich Hartwig ein Terzett &amp;quot;Die Bergols&amp;quot;, das jedoch nur kurze Zeit in dieser Zusammensetzung Bestand hatte. Ab Mitte 1954 trat die Gesangsgruppe in neuer Besetzung mit Bernd Golonsky, Heinz Borchert und ab 1956 mit Arno Bach auf. Von 1956 bis 1959 sangen sie einige Aufnahmen bei Funk und Schallplatte ein.&lt;br /&gt;
==Titelliste==&lt;br /&gt;
&amp;lt;div style=&amp;quot;float:left;margin-right:10em;right;margin-left:5em;&amp;quot;&amp;gt;&lt;br /&gt;
{| {{tabelle}}&lt;br /&gt;
| Am Golf von Malagan (2) || Alexander Gordan ||  || 1 50 622 || Walter Kubiczeck || Fritz Räbiger&lt;br /&gt;
|-&lt;br /&gt;
| Bambalita || Brigitte Rabald &amp;amp;amp; Paul Schröder || 1957 || 1 50 611 || Alo Koll || Willy Schüller&lt;br /&gt;
|-&lt;br /&gt;
| Bei dir war es immer so schön || Bergols &amp;amp;amp; Ping-Pongs || 1958 || 5 40 032 || Theo Mackeben || Hans Fritz Beckmann&lt;br /&gt;
|-&lt;br /&gt;
| Borneo - Boogie || Jenny Petra || 1957 || 5 50 045 || Walter Kubiczeck || Fritz Räbiger&lt;br /&gt;
|-&lt;br /&gt;
| Calypso-Liebelei || Helga Brauer || 1957 || 5 50 044 || Günter Oppenheimer || Maggie Koch&lt;br /&gt;
|-&lt;br /&gt;
| Caramba, Senores || Evelyn Künneke || 1957 || 5 50 040 || Gerd Natschinski || Hans Heinrich&lt;br /&gt;
|-&lt;br /&gt;
| Dong - dingeldang - dingeldong || Ilse Hass || 1956 || 1 50 288 || Lotar Olias || Peter Mösser&lt;br /&gt;
|-&lt;br /&gt;
| Du und ich - ganz allein || Bergols &amp;amp;amp; Ping-Pongs || 1958 || 1 50 660 || Max Spielhaus || Martin Hattwig&lt;br /&gt;
|-&lt;br /&gt;
| Ein Stern am Himmelszelt || Margot Friedlaender || 1957 || 1 50 642 || Gerhard Honig || Ursula Upmeier&lt;br /&gt;
|-&lt;br /&gt;
| Heija || Bergols ||  ||  ||  || &lt;br /&gt;
|-&lt;br /&gt;
| Heute spielt der Konstantin Klavier || Helga Brauer || 1958 || 5 50 046 || Wolfram Heicking || Carl-Ulrich Blecher&lt;br /&gt;
|-&lt;br /&gt;
| In Monte Carlo, da sind die Nächte so gefährlich (2) || Bergols &amp;amp;amp; Ping-Pongs ||  ||  || Alberto Begonha (?) || Hans Bradtke (?)&lt;br /&gt;
|-&lt;br /&gt;
| Jonny Lehmann war ein Seemann || Werner Hass || 1954 || 1 50 664 || Horst Reipsch || Rudolf-Günter Loose&lt;br /&gt;
|-&lt;br /&gt;
| Junge Leute brauchen Liebe || Helga Brauer || 1958 || 1 50 700 || Robert Allen/Richard Adler || dt.: Carl Niessen&lt;br /&gt;
|-&lt;br /&gt;
| Küsse sind süßer als Wein || Fred Frohberg || 1958 ||  || Joel Newman || Theo Hansen&lt;br /&gt;
|-&lt;br /&gt;
| Martina || Peter Wieland || 1958 ||  ||  || &lt;br /&gt;
|-&lt;br /&gt;
| Oh Jenny || Ralf Paulsen || 1956 || 5 50 041 || Reimer Mierke || Frank Felix&lt;br /&gt;
|-&lt;br /&gt;
| Oho la-la || Jenny Petra || 1957 || 1 50 150 || Walter Kubiczeck || Walter Kubiczeck&lt;br /&gt;
|-&lt;br /&gt;
| Riesenrad-Dixie || Bergols &amp;amp;amp; Ping-Pongs ||  ||  ||  || &lt;br /&gt;
|-&lt;br /&gt;
| Sag, weißt du denn, was Liebe ist || Bergols || 1956 ||  ||  || &lt;br /&gt;
|-&lt;br /&gt;
| So ist Paris || Bergols || 1953 ||  ||  || &lt;br /&gt;
|-&lt;br /&gt;
| So kann man sich verlieben || Peter Wieland || 1958 ||  ||  || &lt;br /&gt;
|-&lt;br /&gt;
| Steck ´nen Groschen in die Musikbox (2) || Werner Hass || 1959 || 1 50 154 || Günter Oppenheimer || Günter Oppenheimer&lt;br /&gt;
|-&lt;br /&gt;
| Steuermann, halte Kurs || Fred Frohberg || 1957 || 8 55 657 || Walter Eichenberg || Willy Schüller&lt;br /&gt;
|-&lt;br /&gt;
| Tarragona || Ralf Paulsen || 1957 || 1 50 624 || Gerhard Anders || Arnold Bormann&lt;br /&gt;
|-&lt;br /&gt;
| The banana boat song || Fred Frohberg || 1957 || 1 50 611 || Folklore || Arkin/Carey/Darling&lt;br /&gt;
|-&lt;br /&gt;
| The man I love || Margot Friedlaender || 1956 || 1 50 131 || George Gershwin || George Gershwin&lt;br /&gt;
|-&lt;br /&gt;
| Tina-Marie || Fred Frohberg || 1956 || 1 50 125 || Bob Merrill || dt.: Hans Bradtke&lt;br /&gt;
|-&lt;br /&gt;
| Tipitipitipso || Jenny Petra || 1957 || 1 50 146 || Heinz Gietz || Kurt Feltz&lt;br /&gt;
|-&lt;br /&gt;
| Tiroler bua || Lutz Jahoda || 1957 || 1 50 147 || Harald Röser || Rudolf-Günter Loose&lt;br /&gt;
|-&lt;br /&gt;
| Über das weite Meer || Fred Frohberg || 1956 || 1 50 296 || Gerd Natschinski || Hans Heinrich&lt;br /&gt;
|-&lt;br /&gt;
| Unter tausend schönen Stunden || Peter Wieland || 1958 ||  ||  || &lt;br /&gt;
|-&lt;br /&gt;
| Walzer der Freude || Bergols &amp;amp;amp; Ping-Pongs &amp;amp;amp; Hemmann-Quintett || 1958 || 5 40 032 || Theo Mackeben || Günther Schwenn&lt;br /&gt;
|-&lt;br /&gt;
| Warum gingst du fort von mir (2) || Fred Frohberg || 1956 || 8 50 012 || Thomas || Biggs&lt;br /&gt;
|-&lt;br /&gt;
| Warum liebst du mich nur platonisch (1) || Helga Brauer || 1957 || 5 50 044 || Max Spielhaus || Maggie Koch&lt;br /&gt;
|-&lt;br /&gt;
| Wenn deine Lippen schweigen || Bergols || 1957 || 1 50 626 || Klaus Hugo || Richter&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
(1) Bergols &amp;amp; Hemmann-Quintett &amp;lt;br&amp;gt;&lt;br /&gt;
(2) Bergols &amp;amp; Ping-Pongs&lt;br /&gt;
[[Kategorie:Gesangsgruppen]]&lt;/div&gt;</summary>
		<author><name>Inohammer</name></author>	</entry>

	</feed>